"PSA" The Official Publication of the Pirandello Society of America
Complete List of Volumes (1985 - 2000) ISSN: 1042-4822
CNL Anne & Henry Paolucci International Conference Center
6802 Metropolitan Avenue -- Middle Village, New York 11379
VOLUME I (1985/1986) The PSA's 25th Anniversary Celebration. "The Structure of Pirandello's Short Story", Franco Zangrilli. "Fiction or Theater: The Character's Drama is The Thing", Umberto Mariani. Book Review: Pirandello Studies, I, 1985, Report on the AAIS/Pirandello Program Tampa, April 1995. Giuseppe Faustini.
VOLUME II (1986/1987) Pirandello and The French Connection, Proceedings of MLA/PSA Annual Meeting, Chicago, 1985. "Pirandello and Giraudoux", Philip A. Fulvi."The Double in Pirandello and Gide" "Il Fu Mattia Pascal" and "Les Caves du Vatican." Moses M. Nagy. Forum for Members. Book Reviews: "Pirandello in guanti gialli" (A. Costantini); "Metapsichica e letteratura in Pirandello" (G. W. Anderson); "L'arte novellistica di Pirandello" (G. Faustini).[Out of Stock / Out of Print]
VOLUME III (1987/1988) The Japanese Reception of Pirandello, John Gillespie. "Pirandello & the 20th Century French Theater", Philip Fulvi. "Authors as Transcribers Pirandello and Unamuno", Marie-Lise Gazarian Gautier. "Victor/Victoria" and Pirandello's "Enrico IV" The Forging of Masks, Victor Carrabino. Book Reviews: Pirandello e il teatro del suo tempo; Pirandello e il teatro; Pirandello pittore.
VOLUME IV (1988/1989) Pirandello's "Humoristic" Treatment of Marriage, Kathryn Wylie. "Six Characters in Search of an Author": Notices of Hollywood Television Theatre Production by Normal Lloyd, Anne Paolucci. "Six Characters . . . At Pace University: The Jean Cocteau Repertory Production", Jana O'Keefe Bazzoni. "Pirandello: A Translator's Personal View", Giovanni Bussino. "Translating Pirandello", Giuseppe Faustini.
VOLUME V (1989/1990) Special Presentation by Joseph Maselli to the PSA: MLA/PSA Meeting December 1988 New Orleans. "Madness as Mask: Themes and Variations in 'Enrico IV'," Maria Rosaria Vitti-Alexander. "A Director's Thoughts on 'Henry IV'," Nishan Parlakian. "Brief Comments on 'Enrico IV'," Philip A. Fulvi. "Enrico IV' The Emperor", Anne Paolucci.
VOLUME VI (1990/1991) PIRANDELLO AND COMMEDIA DELL'ARTE. Six Clowns in Search of an Author: Pirandello's "Six Characters" and Commedia dell'Arte, John DiGaetani. "A Portrait of Pirandello" by Rowley Smart, Eric Bentley. ·Commedia Motifs in Pirandello's "Each in His Own Way," Mark Spergel. "A Brief History of the Pirandello Society's Activities and Programs", Nishan Parlakian.
VOLUME VII (1991-1992) 70th Anniversary Special (1921-1991): Pirandello's Six Characters in Search of An Author. Didascalic Discourse, Representation, and Pirandello's "Six Characters in Search of An Author", Matthew Roudané. "Looking for Love in All The Wrong Places", Leslie Kane. Rhetorical Aspects of "Six Characters in Search of An Author", Martin J. Jacobi. The Tradition of Theatrical Presentation of The Insane and Pirandello's "Six Characters," John DiGaetani. A Director's Reading of Pirandello's "Six Characters," Nishan Parlakian.Theater Review: "Henry IV" London's West End.[Out of Stock / Out of Print]
VOLUME VIII (1992/1993) PIRANDELLO AND EDWARD ALBEE. The "Pirandellian" Albee, Matthew Roudané. "Pirandello: Leader of the Absurd", Anne Paolucci. "Theatre of the Grotesque" Meyerhold, "Pirandello, and Albee", Susan Haedicke. The Pirandellian Author in Search of His Audience: Albee's "The Man Who Had Three Arms," Anne Paolucci. "Pirandello, Albee, and Ayckbourn: An Absurdist Tradition", John DiGaetani.
VOLUME IX (1993/1994) PIRANDELLO, SAROYAN, AND THE NEW YORK STAGE. "Pirandello in a Bind", Anne Paolucci "Pirandello, Saroyan, and the Absurd," Nishan Parlakian. "Chu Chin Chow": Music and Lyrics used in "Six Characters," Eric Bentley. "Thoughts on Teaching Pirandello", Zoë C. Kaplan.
VOLUME X (1994/1995) GIORGIO STREHLER IN NEW YORK. "THE MOUNTAIN GIANTS." "Into the New Century", Anne Paolucci. "An Evening with Giorgio Strehler", E. Petriella-Bonomo. Articles by: Giorgio Strehler, Mel Gussow, Nina DaVinci Nichols, Mary Talbot, Linda Winer. Reviews by Enzo Ficile, Clive Barnes, Nina DaVince Nichols, Ben Brantley, Mario Fratti. Letter from Pirandello to Vittorini (Courtesy Eric Bentley).
VOLUME XI (1995/1996) PIRANDELLO IN GERMANY. "Pirandello, Nietzsche and The Good Mask", Daniela Bini. "On And Off The Rialto, La Cronista. Pirandello in Germany (1924-1930)" and "Tonight We Improvise," Jane House. "Germany: The Biographical Connection", John DiGaetani. "Carteggi: Sulle Lettere di Pirandello a Marta Abba. Va in scena la polemica", Tommaso Zerlina. Readings. Productions. Conferences: Indiana Univ. theatre: Six Characters, James Fisher. New York Theatre Workshop: "Man, Beast, and Virtue", Michael Kowal. "Pirandello at Boston College", Nina DaVinci Nichols.
VOLUME XII (1996/1997) PIRANDELLO, SHAKESPEARE, AND MODERN TIMES. Presentations at PSA/MLA Meetings. Notices, including PSA's Awards Dinner. "Pirandello's theories of Comedy and Shakespeare's Clowns", Maurice Charney. "Tempest and Mountain Giants", Nina DaVinci Nichols. " 'Enrico IV', Pirandello's Cubist Quadro", Rosana Vitale. Theatre Reviews: Hugo Weisgall's Opera of Six Characters, Manhattan School of Music: "Six Characters in Search of an Opera", Jon Messman. "The Pirandello Six, Singing but Still Dysfunctional," Allan Kozinn (NY Times). "Weisgall's neglected 'Six Characters' finds new life at the Lyric," John von Rhein (Chicago Tribune) "Opera: Pirandello's Plot," Howard Taubman (NY Times). "Washington Critics Hail Weisgall Work," (NY Times). "Six Characters in Search of an Author," Richard Goldman (The Music Quar-terly). "Music: Weisgall's 'Six Characters'," (NY Times)
VOLUME XIII (1997/1998) Commemorating the Society's 40th Anniversary. FROM NARRATIVE TO DRAMA. Presentations at PSA/MLA Meeting etc. "Story to Play: Toward a Theory of Self Adaptation", Robert S. Dombroski. "Narrative in Pirandello's Plays", Anne Paolucci. "The Players" Hosts PSA's 40th Anniversary Dinner. "Aspects of Italian Futurism in Pirandello's 'Tonight We Improvise'," David S. Escoffery. "Re-envisioning Pirandello for the Contemporary Stage: Critical and Directional Interventions", Jana O'Keefe Bazzoni. "Pirandellian Themes in Paolo Pappa's 'Le Parole al Buio'," Giuliana Sanguinetti Katz. Theatre Notes, Reviews.
VOLUME XIV (1998-1999) PIRANDELLO IN TRANSLATION. Presentations at PSA/MLA Meetings, etc. "Pirandello's Women Writer and the Birth Metaphor: Problems in Translation", Mary Ann Witt. "Translating Pirandello into the 21st Century: Literary, Historical and Linguistic Challenges", Martha King. "The Influence of Pirandello in Latin America", James J. Troiano. Annual Awards Dinner, November 30, 1999, honoring Benito Ortolani. Productions: "The Freak of Nature: Pirandello's One-Act Plays", Nina DaVinci Nichols, etc.
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